{"id":1406,"date":"2009-02-03T12:59:50","date_gmt":"2009-02-03T18:59:50","guid":{"rendered":"https:\/\/mariestelafernandez.com\/site\/?p=1406"},"modified":"2019-11-19T17:09:13","modified_gmt":"2019-11-19T23:09:13","slug":"pasion-por-el-vestuario","status":"publish","type":"post","link":"https:\/\/mariestelafernandez.com\/site\/pasion-por-el-vestuario\/","title":{"rendered":"Pasi\u00f3n por el Vestuario"},"content":{"rendered":"

\"\"E<\/span>s una de las dise\u00f1adoras de vestuario con m\u00e1s larga trayectoria en nuestro pa\u00eds. Mar\u00eda Estela Fern\u00e1ndez (ciudad de M\u00e9xico, 1958) gan\u00f3 su quinto Ariel por la pel\u00edcula Kil\u00f3metro treinta y uno (2006), de la productora mexicana Lemon Films. \u201cEn este largometraje todos trabajamos en el proceso de creaci\u00f3n de los personajes sobrenaturales que aparecen en la historia \u2014platica\u2014. Hubo una estrecha colaboraci\u00f3n entre el director, el maquillista, el director de arte y el departamento de vestuario. Tambi\u00e9n trabajamos con el equipo de efectos especiales y por computadora\u201d.<\/p>\n

Mar\u00eda Estela dise\u00f1a vestidos y trajes para teatro, televisi\u00f3n, fotograf\u00eda y danza, pero es en el cine donde ha dejado una huella permanente. Ha realizado cerca de 20 pel\u00edculas: Beverly Hills Chihuahua (2008), Mejor es que Gabriela no se muera (2007), Un mundo maravilloso (2006), El crimen del padre Amaro (2002), Antes de que anochezca (2000), La ley de Herodes (1999), Perdita Durango (1997) y Novia que te vea (1994), entre otras.<\/p>\n

Aunque comenz\u00f3 como actriz, siempre le llam\u00f3 la atenci\u00f3n la indumentaria, por lo que se convirti\u00f3 en asistente de vestuario para teatro. Colabor\u00f3 en varias obras para la Universidad Nacional Aut\u00f3noma de M\u00e9xico. \u201cMuy pronto entend\u00ed que el dise\u00f1o de vestuario es una herramienta para crear un personaje.<\/p>\n

\"\"En esta carrera nunca terminas de aprender, me considero una suerte de \u2018pepenadora visual\u2019, siempre leyendo, analizando el trabajo de otras dise\u00f1adoras.<\/p>\n

Veo mucho cine, pintura, performance, teatro y danza, me enriquezco con estos elementos para poder traducir las historias que contamos en el cine con colores, texturas y formas\u201d.<\/p>\n

Recientemente, Mar\u00eda Estela termin\u00f3 el rodaje de Backyard, dirigido por Carlos Carrera. En esta pel\u00edcula tuvo que vestir a m\u00e1s de cien extras, adem\u00e1s de los actores principales. \u201cHacer cine es igual en cualquier parte del mundo y en cualquier idioma; algunas pel\u00edculas son m\u00e1s holgadas en tiempo o tienen m\u00e1s recursos, pero b\u00e1sicamente el trabajo es el mismo y es apasionante\u201d.<\/p>\n

 <\/p>\n

M<\/span>aria Estela Fern\u00e1ndez (Mexico City, 1958), one of the most experienced, established film and theater costume designers in Mexico, was recently awarded her fifth Ariel trophy for Kil\u00f3metro <\/span>treinta y uno <\/span>(2006), a Lemon Films production. \u201cFor this feature film, we all worked together in the process of creating the supernatural characters that appear in the story,\u201d she explains. \u201cThe director, make-up artist, art director and costume department all collaborated very closely, and we also worked with the special effects team and the computer.\u201d<\/em><\/p>\n

Maria Estela designs costumes and garments for theater, television, photography and dance, but it is actually in the movies where she has left an indelible mark. Among the nearly 20 films she\u2019s worked on are Beverly Hills Chihuahua (2008), <\/span>It\u2019s Better If Gabriela Doesn\u2019t Die (2007), <\/span>A Wonderful World (2006), <\/span>The Crime of Father Amaro (2002), <\/span>Before Night Falls (2000), <\/span>Herod\u2019s Law (1999), <\/span>Dance with the Devil (1997) and Like a Bride <\/span>(1994).<\/em><\/p>\n

Though she started out as an actress, she was always drawn to the costumes, so she became a wardrobe assistant in the theater and worked on several university productions at the unam<\/span>. \u201cI quickly realized that costume design is a tool for creating a character. In this profession, you never stop learning. I see myself as a sort of \u2018visual ragpicker\u2019, always reading and analyzing the work of other designers. I see a lot of movies, paintings, performance art, theater and dance to enrich myself with these elements and be able to translate the stories we tell on film through colors, textures and forms.\u201d<\/em><\/p>\n

Mar\u00eda Estela has just finished working on the film Backyard, <\/span>directed by Carlos Carrera. In addition to the film\u2019s main characters, she had to dress over 100 extras. \u201cMaking movies is the same anywhere in the world and in any language. Some movies give you more time or resources to work with, but basically the work is the same, and it is exhilarating.\u201d<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Es una de las dise\u00f1adoras de vestuario con m\u00e1s larga trayectoria en nuestro pa\u00eds. Mar\u00eda Estela Fern\u00e1ndez (ciudad de M\u00e9xico, 1958) gan\u00f3 su quinto Ariel por la pel\u00edcula Kil\u00f3metro treinta y uno (2006), de la productora mexicana Lemon Films. \u201cEn este largometraje todos trabajamos en el proceso de creaci\u00f3n de los personajes sobrenaturales que aparecen […]<\/p>\n","protected":false},"author":1,"featured_media":2172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/mariestelafernandez.com\/site\/wp-content\/uploads\/2009\/02\/foto_meriestela2.jpg?fit=1200%2C675&ssl=1","_links":{"self":[{"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/posts\/1406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/comments?post=1406"}],"version-history":[{"count":0,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/posts\/1406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/media\/2172"}],"wp:attachment":[{"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/media?parent=1406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/categories?post=1406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mariestelafernandez.com\/site\/wp-json\/wp\/v2\/tags?post=1406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}